Bodies of Weather

An ongoing interdisciplinary body of work exploring how human bodies and environmental conditions move through and shape one another.

overlayed images of water and waterfalls and graphite gestural marks

Bodies of Weather traces the ways bodies and weather co-produce one another. These works arise from the understanding that bodies are not sealed entities but porous systems moving within larger atmospheric, ecological, and temporal fields. Breath, wind, light, pressure, sound, heat, fatigue, and flare all move through flesh as surely as they move through clouds and land.

Many of these works formed during periods when my own body was unstable, immobilised, or in sensory rupture. In those times, weather became not only something outside me but something I was inside of. Inner weather and outer weather collapsed into one another. The works do not depict this so much as hold it. They are records of saturation, drift, impact, and recovery.

Across drawing, film, sound, spectral photography, installation, and layered image work, bodies appear as atmospheric instruments. Skin becomes a membrane. Bones become weathered structures. Trauma registers as pressure systems, absences, vortices, collapses, and breakages in pattern. Repair is slow, conditional, often incomplete. These works do not seek resolution. They sit with fluctuation.

Weather here is not metaphor alone. It is method. It is data. It is a force that shapes behaviour, attention, circulation, migration, fatigue, and resilience. Storms, droughts, humidity, slow dripping rain, charged stillness, the movement of smoke and dust, the pressure of heat on breath and nerve all become compositional forces alongside the human figure.

Bodies of Weather holds the body as an event that is always in motion with its surroundings. The work resists separating personal disturbance from planetary disturbance. What breaks in the atmosphere breaks in the nervous system. What shifts in the land shifts in the body. These are not parallels. They are shared dynamics moving at different scales.

The works do not offer the body as a site of mastery or performance. They hold it as a listening surface. A place where weather arrives, lingers, overwhelms, withdraws. A place where collapse and continuity coexist.

overlaid images of coastal forest line forming ambiguous figure with bilateral gestrual graphite drawing inlaid
Layered colour image combining forest canopy, light leaks, and drawn figure and abstract contours
Photographic image of smoke and light moving through trees, and the night sky filed with the eye of the galaxy, overlaid with drawn marks.
Photographic image of smoke and light moving through trees, overlaid with drawn marks
Layered campfire photograph and drawing showing blurred forest forms and body outlines, black and white